THE FORMAT
In addition to the chart shown above, the following instructions were given to each artist to contemplate during the composition and production of their record. These instructions are completely open to interpretation by the artists. Loosely based on the pop song structures canonized during the mid to late 20th century, the order of appearance is according to the standard format of a traditional magazine. We've included them here to help illuminate the creative process
TRACK ONE
This is the introductory track, it should be approximately 30 seconds and consist of a single repeated sound event (this could be anything, a single lyric repeated, a melody, a heartbeat, and so on). This sound should reflect the quintessential sound of your record. Basically this is a track to ease the listener into the overall themes you are working with.
TRACK TWO
Track two is based on the simplest pop song structure. For simplicity we will call the parts "verse" and "chorus". The track should move back and forth between these two parts for between one and a half and two minutes. You may repeat this rotation as many or few times as you wish, but no less than two times. Each time you return to the verse, there should be an added element (rhythmic, harmonic or otherwise, it doesn't matter). The track should increase in "intensity" interrupted only by the chorus, which should remain relatively static. The track should end by repeating the verse two or more times with increasing intensity.
TRACK THREE
This track should be composed of a continuous, non-repeating sound event (repeating rhythmic elements are ok to use as long as they're not an obtrusive "loop" or the main focus). The tempo for this track is up to the composer but it may be easier if it is slower. Think about how water travels across the same landscape but never takes the same path.
TRACK FOUR
This should be structured like the quintessential pop song. Begin with your main harmonic theme without rhythm elements for one cycle of this theme. The structure should follow the diagram below, revolving from part A to B two or more times before moving to part C for no more than three times (less is ok). Follow with part A once and part B no less than twice. The ending version of part B should be somehow varied from the previous parts of that category. Part C should be the least engaging part of the track. Part B should contain the most "excitement". If you feel you must add elements in between prescribed parts feel free to do so, but keep it to a minimum. It should be about three minutes and thirty seconds; try not to go over so you have enough time to properly explore the last track.
TRACK FIVE
This track is similar to the first in that is a repeated sound event, to cap off your record as a finale. It should be recognizable as relating to the first track but it should be a variation in as many ways as possible without making it different. As mentioned before, it may help to finish this track before the first track and work backwards.